Mike Bunn: Assignment Masterclass
Stephanie McBride talks to Mike Bunn about his plans to establish an academy for the photographic arts in Ireland
Click here to read the article
Waterford’s Viking footprint Maurice Hurley assesses two archaeological sites in Waterford to establish the pattern of Waterford’s Viking settlement
Mitres and mansions William Laffan applauds the restoration of the Bishop’s Palace in Waterford and its role in creating a unique cultural quarter in the heart of the city
The post-postmodern advance Passion and skill are the qualities shared by 2011’s top fine art graduates, writes Gerry Walker, aided by Matt Packer, Samuel Walsh, Lindsay Dawe, Paul Freeney and Peter Murray
Design Portfolio Eleanor Flegg previews the Autumn design season. Click here to read the article
Alicia Boyle’s sketchbook Between the two giants of Modernism, Picasso and Matisse, Alicia Boyle favoured the pure line and colour of Matisse, writes Hilary Pyle in her examination of the artist’s sketch books at the National Gallery of Ireland
Cheating the fell destroyer Brendan Rooney reveals the full extent of Irish artist Trevor Thomas Fowler’s extraordinary life and successful career in 19th-century America
The Irish Arts Review Archive goes online
John Mulcahy announces the Irish Arts Review Archive of Irish Art and Heritage, an online archive of 1,600 articles published in the Irish Arts Review since 1984
The coercion of substance
Catherine Marshall examines Samuel Walsh’s intention to strike a balance between drawing and painting with his current work at Visual in Carlow in September
New forms of beauty
Is beauty in art frivolous? Catherine Leen reports on a group show at the Cross Gallery, Dublin, in October encompassing work from Clare Kerr, Gareth Jenkins, Kohei Nakata and Pertiwi whose practice engages with this notion
The vanishing present
Jennifer Trouton tackles cosy domesticity in a new series of multiples, writes Jane Humphries ahead of her solo show at the Molesworth Gallery, Dublin this winter
Dublin Contemporary 2011
Mic Moroney reports on the most anticipated and controversial art event staged in Ireland since ROSC
Deborah Brown: a life in the round
‘To paint what you see, not what you know’ Deborah Brown reflects on the major influences on her art, in conversation with Brian McAvera, ahead of her show at the Gordon Gallery, Derry in November
Joint declaration
Pop Art pioneer Richard Hamilton credits his artist wife Rita Donagh with keeping him aware of the Troubles, Robert Ballagh reports, ahead of their joint retrospective at Dublin City Gallery the Hugh Lane this autumn
Lilburn’s pictorial odyssey
The immediacy of David Lilburn’s narrative-led dynamic printwork belies their exacting intaglio method of execution, writes Judith Hill
Diary of a painter
Miseon Lee’s return to painting tells a story of personal and artistic self-discovery, writes James Hanley
Mike Bunn: assignment masterclass
Stephanie McBride talks to Mike Bunn about his plans to establish an academy for the photographic arts in Ireland
The post-postmodern advance
Passion and skill are the qualities shared by 2011’s top fine art graduates, writes Gerry Walker, aided by Matt Packer, Samuel Walsh, Lindsay Dawe, Paul Freeney and Peter Murray
Waterford’s Viking footprint
Maurice Hurley assesses two archaeological sites in Waterford to establish the pattern of Waterford’s Viking settlement
Waterford: patronage and position
Waterford’s growth during the 13th century was based on royal patronage and its position as a major seaport, John Bradley writes in his assessment of the medieval city
Conscience and commerce in Georgian Waterford
From the late 17th century to the Georgian era, commercial pragmatism was the overruling principle at work between opposing religious traditions in Waterford, reports Julian Walton
Mitres and mansions
William Laffan applauds the restoration of the Bishop’s Palace in Waterford and its role in creating a unique cultural quarter in the heart of the city
Cheating the fell destroyer
Brendan Rooney reveals the full extent of Irish artist Trevor Thomas Fowler’s extraordinary life and successful career in 19th-century America
Alicia Boyle’s sketchbook
Between the two giants of Modernism, Picasso and Matisse, Alicia Boyle favoured the pure line and colour of Matisse, writes Hilary Pyle in her examination of the artist’s sketch books at the National Gallery of Ireland
Triskel Christchurch
Christchurch has long been part of the fabric of Cork city life and now as part of Triskel Arts Centre a new and exciting phase in its long history has begun, writes Peter Murray
Liam Flynn: past and present
Roger Bennett outlines Liam Flynn’s significant contribution to craft in Ireland, in anticipation of his retrospective at the Hunt Museum, Limerick this winter
Regular Features
Contributors
The Art News and Diary
Under the Hammer
Editor’s Letter
Design Portfolio
Books
EILEEN GRAY AND THE DESIGN OF SAPPHIC MODERNITY: STAYING IN
reviewed by Joseph McBrinn
FRANCISCAN FAITH: SACRED ART IN IRELAND AD 1600-1750
reviewed by Douglas Bennett
THOMAS RYAN: OIL PAINTINGS
reviewed by Isabella Evangelisti
THE STORY OF IRISH MUSEUMS 1790-2000: CULTURE, IDENTITY AND EDUCATION
reviewed by John Mulcahy
THE IRISH COUNTRY HOUSE: ITS PAST, PRESENT AND FUTURE
reviewed by Patricia McCarthy
LIMERICK AND SOUTH-WEST IRELAND: MEDIEVAL ART AND ARCHITECTURE
reviewed by Conleth Manning
IRISH TRAVELLERS: TINKERS NO MORE
reviewed by Jackie Nickerson
AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE OF WEST CORK
reviewed by Katherine McClatchie
AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE OF COUNTY GALWAY
reviewed by Katherine McClatchie
Catalogues
Curator’s choice
Right of Reply
Previous Editions
Vol 28 No 2
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Vol 27 No 4
Vol 27 No 3
Vol 27 No 2
Vol 27 No 1
View the contents of the last
7 Irish Arts Review editions. The contents of earlier editions and yearbooks can be accessed through our archive, free to subscribers and art teachers in post-primary schools.



