Constructions
in colour and light
Peripatetic painter Bill Crozier discusses artistic influences and issues
of cultural identity with Brian McAvera
A
portrait of the artist
Brenda Moore-McCann discusses some seminal artworks by the artist and critic
Brian ODoherty/Patrick Ireland
The
Spire in Context
In this age of uncertainty, Dublins new Spire of Light is open to
interpretationwhich is perhaps its principal attractionRaymund
Ryan hopes that it will act as metaphor for energy
Under the hammer
In this regular feature, Robert OByrne appraises some of the highlights
of the recent fine art sales
Tony OMalley (19132003)
This outstanding artist, whose Irishness cannot be overstressed,
is remembered by Brian Lynch
An enduring presence: Paul Henry and the Irish landscape
The most ambitious exhibition of Paul Henrys work to be seen in Dublin
is currently on view at the National Gallerys Millennium Wing; S B
Kennedy traces the key influences on Henrys art
A Noble path
Peter Murray introduces Ken Thompson, a sculptor who has found his true
vocation
Conversations in Silence
Six painters based in West Cork are portrayed by John Minihan
Ballynatray house and demesne
Patrick Bowe reveals the natural and designed beauty of Ballynatray Demesne
located in the lower Blackwater valley, and Deirdre Conroy discusses the
restoration of the house
Propaganda and Iconography: Images of Robert Emmet
Ruan ODonnell explains how Robert Emmet became the premier figurehead
of Irish Nationalism in the 19th century
St Marys, Youghal, Co Cork
David Kelly outlines the history St Mary's Collegiate Church in Youghal.
Clodagh Tait shows how Richard Boyle, First Earl of Cork, symbolised his
social ascent through his familys funeral monuments, one of which
is located in the south transept of St Marys, and John Mulcahy sketches
the creation of this dynasty
Arklow Pottery
Audrey Whitty looks at fifty years of design in Arklow Pottery
Material Convictions
Eleanor Flegg finds out what makes the interior of this 19th-century coach-house,
designed by Laura Farrell, so different










