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ContentsPrevious DiaryReviews Vol 22 No 4
Vol 23 No 2
A Regal Blaze – Harry Clarke’s depiction of Synge’s Queens
Reclaiming portraiture
Le Brocquy – Masters and Muses




  Volume 21 No 1 Summer 2004
Spring 2006 Vol 23 Number 1  
A Regal Blaze – Harry Clarke’s depiction of Synge’s Queens
Nicola Gordon Bowe explains how an intriguing poem by J M Synge was the starting point for Harry Clarke’s incomparable stained-glass panels devised for Laurence Waldron

Design Portfolio
Eleanor Flegg reports on the Irish recipients of the European Heritage Award, the stunning creation by graduates of the Crafts Council’s Jewellery Skills Course, and the RDS National Craft Competition and Student Art Awards

Reclaiming portraiture
Maeve McCarthy’s portrait of writer Kevin Kiely has won the inaugural Ireland–US Council Portrait Award at the 176th RHA Annual Exhibition, writes Riann Coulter

Vistas on to the Twilight Zone
Ciarán Bennett discovers aspects of disquiet in Elizabeth Magill’s haunting landscapes currently on view at the Kerlin Gallery, Dublin

Flying Blind
Martina Corry navigates a new route for the photographic medium, combining techniques from the 18th century with a 21st-century aesthetic, argues Brian McAvera

The AIB Prize
Linda Quinlan, the winner of the AIB Prize, creates miniature worlds where the uncanny is anchored to the familiar, says Gemma Tipton

Le Brocquy – Masters and Muses

Brian McAvera visits Louis le Brocquy as he embarks upon a new series of work in homage to his personal Masters, the first of which is premiered here

Barry Flanagan in Dublin
This summer, Dublin’s O’Connell Street and the gardens at IMMA will be populated with characteristic works by sculptor, Barry Flanagan, with some rarely seen examples of his ouevre from the 1960s and 1970s featuring in the retrospective, promises Enrique Juncosa

Annaghmakerrig – twenty-five years of creativity
Marianne O’Kane evaluates the important contribution made to Ireland’s artistic community by the Tyrone Guthrie Centre, County Monaghan

Whipping the Herring
Peter Murray discusses the exhibition ‘Whipping the Herring’, currently on view at the Crawford Art Gallery, marking the gallery’s change in status to a National Cultural Institution, the first outside the capital

Social Studies
Eamonn McEneaney lends some local knowledge to a variety of images documenting life in Waterford from 1854 – 1954 from the Poole family of photographers

The Shaw Fund
Peter Somerville-Large chronicles the story of George Bernard Shaw’s gift to the National Gallery and some notable investments by subsequent directors

Early Modern and Late - Scott Tallon Walker

Scott Tallon Walker, Ireland’s articulate exponents of International Modernism excelled at focusing on people in their work, argues Seán O’Reilly

Ceramics Ireland
Eleanor Flegg previews the Ceramics Ireland exhibition at the Kilkenny Arts Festival, an event that promises to demonstrate the drama and diversity of ceramic art