Autumn 2017 Edition

There are echoes of the old Roman circus on the bases of Irish high crosses at Clonmacnoise, Monasterboice and Lorrha, writes Peter Harbison
Barbara Warren’s work, rather than startling or imposing on the eye, invites the spectator to come in, writes Hilary Pyle
In a world where the analogue is routinely discarded, Aoife Shanahan’s explorations invite us to look more closely and more intensely at the image, writes Stephanie McBride
The legacy of stained-glass artist Helen Moloney is in the vibrancy of her colours and her use of coloured glass and lead lines in an abstract manner, writes Bart Felle
The sea’s characteristics, particularly its unpredictability and perpetual rhythm, continuously inspire, Alva Gallagher tells Carissa Farrell
Highlights from the Autumn 2017 edition
NCAD’s great opportunity
The physical condition of the whole NCAD campus is so poor that there is a danger of a patchwork solution being implemented argues John Mulcahy

Eithne Jordan: Inside & Out
Eithne Jordan talks to Brian McAvera about the influence of German and French culture on her artistic practice
All the world's a stage
This year’s graduates in performance, fashion, film, photography, architecture and textiles, are introduced by Gerry Walker
David Farrell: Beyond the surface
Stephanie McBride offers an insight into award-winning photographer David Farrell’s seemingly innocent landscapes
Gaia’s Garden
Mark Ewart follows the international career of Linda Brunker whose work brings her to France, China and the USA
Chapter and verse at Jerpoint Abbey
Peter Harbison looks back to the Synod of Cashel and Ráith Bresail, which had far-reaching consequences for monastic foundations such as Jerpoint Abbey
Barrie Cooke at Adam's
One of the highlights of this year’s auction scene was the sale of Gillian Bowler’s collection at Adam’s at the end of May
Limerick: Sense of place
At the Limerick City Gallery of Art Elizabeth Magill has her first major Irish exhibition in ten years.