New from the Summer 2021 edition. Julian Walton and William Fraher explore the magnificent Curraghmore House in County Waterford, where, three hundred years ago, the union of two families produced the most powerful dynasty in late Georgian Ireland Read More
New from the Spring 2021 edition. The discovery of a set of embroideries from 1932 highlights a period during which the new Irish State was presenting a religious and ancient identity to the outside world, writes William Shortall Read More
New from the Spring 2021 edition. Patrick Bowe unearths how medieval monks fished, foraged and cultivated one of Ireland’s earliest known kitchen gardens on the cliffs of the windswept island of Skellig Michael Read More
New from the Winter 2020 edition. John Montague explores Dunsoghly Castle in North County Dublin, one of Ireland’s most interesting buildings
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New from the Autumn 2020 edition. The National Museum of Ireland’s up-coming Glendalough exhibition includes items that have come to light in the valley and its environs over the last two or three centuries and which have never been seen in public before, writes Matthew Seaver Read More
New from the Spring 2020 edition. The legacy of stained-glass artist Helen Moloney is in the vibrancy of her colours and her use of coloured glass and lead lines in an abstract manner, writes Bart Felle Read More
New from the Spring 2020 edition. There are echoes of the old Roman circus on the bases of Irish high crosses at Clonmacnoise, Monasterboice and Lorrha, writes Peter Harbison Read More
New from the Winter 2019 edition. A small number of Irish stone circles exhibit convincing evidence of intentional astronomical alignment at winter or summer solstice, writes Frank Prendergast. Photographs by Ken Williams Read More
Peter Harbison argues that the influences of continental frescoes could lead to a later dating of the Book of Kells Read More
New from the Autumn 2019 edition. The historically important Doneraile Court in north Cork has opened its doors to the public following an extensive conservation and renovation project, writes Peter Pearson
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