The spirit of Bauhaus
New from the Winter 2019 edition. Roseanne Lynch’s images are an engagement with the act of seeing and the experience of light and space, writes Sarah Kelleher Read More
Photography
Alchemy of shadows
New from the Autumn 2019 edition. Using satellite imaging, photographer David Thomas Smith echoes the Arecibo radio message transmitted into deep space forty-five years ago, writes Stephanie McBride Read More
Through the looking glass
New from the Summer 2019 edition. For young girls, especially, learning how to control their appearance can feel like a survival tactic, photographer Eva O’Leary tells Richard Mosse Read More
Doyle’s Odyssey
New from the Spring 2019 edition. Eamonn Doyle’s portraits of Dubliners are unposed, untroubled by vanity and full of momentum, writes Stephanie McBride
Portraits of the artist as a neophyte
New from the Winter 2018 edition. Matthew Thompson’s portfolio of fine art students forms a vivid picture of the day-to-day creative process, writes Stephanie McBride Read More
The stones of Inishmore
New from the Autumn 2018 edition. While the patterns set by drystone walls on Inishmore present a harmonious picture of land and occupant, Daragh Muldowney’s overarching concern is for the planet, writes Stephanie McBride Read More
At seventeen
From the IAR Archive Stephanie McBride examines a collaborative photographic project that artfully captures the bravado and vulnerability of being seventeen Read More
Reading the signs
New from the Summer 2018 edition. Photographer Gregory Dunn has amassed a visual archive borne out of his need to understand his adopted home, writes Ros Kavanagh Read More
Night and the city
New from the Spring 2018 edition. Andy Sheridan’s nocturnal compositions of a city at rest joins the great tradition of the flâneur, writes Ros Kavanagh Read More
Man on the bridge
New from the current edition. Stephanie McBride reflects on the extraordinary life’s work of Arthur Fields, the last of the street photographers Read More