From the Summer 2016 edition: In recording the traditional attire of female estate workers, Augusta Caroline Dillon of Clonbrock House, Co Galway, seemed presciently aware that her images would become historical document, writes Christiaan Corlett. Read More
From the Autumn 2016 edition: Stephanie McBride welcomes the reissue of Dublin: The Heart of the City characterized by Brendan Walsh’s elegantly composed black and white photography with essays by Ronan Sheehan. Read More
From IAR Archive: Michael Nolan’s images of a present-day meitheal invoke much older notions of kinship and identity, writes Stephanie McBride of the photographer’s festival sketches. Read More
From the IAR Archive: Fiona Kearney reflects on Jeanette Lowe’s work, which paints an intimate portrait of the residents both past and present of Pearse House Dublin Read More
From IAR Autumn Edition: Eamonn Doyle has been lauded for his original contribution to street photography as seen in his first book ‘I’. Now with a second title, ‘On’ just launched, Ros Kavanagh gives an analysis of his method. Read More
From IAR Archive: Stephanie McBride views the plan and process of an angel’s journey in Amelia Stein’s studies of Imogen Stuart’s studio.
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From the IAR Archive: Ghostly traces of a Joycean city and people emerge as if from a palimpsest in Patrick Donald’s views of Dubliners, writes Stephanie McBride. Read More
From the IAR Archive: Elizabeth Kirwan looks at Gerry Andrews’ magisterial series tracing the activities of Limerick’s Milk Market
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Achill’s desolate beauty has inspired many Irish artists, not least Linda Brownlee who has captured the island’s youth caught between land, sea and sky, writes Stephanie McBride Read More
From the IAR Spring Edition: Eleanor Flegg examines Peter Rowen’s portraits of Irish designer-makers at work, currently on view at Dublin Airport to celebrate ID2015 Read More
