At seventeen
From the IAR Archive Stephanie McBride examines a collaborative photographic project that artfully captures the bravado and vulnerability of being seventeen Read More
Photography
Reading the signs
New from the Summer 2018 edition. Photographer Gregory Dunn has amassed a visual archive borne out of his need to understand his adopted home, writes Ros Kavanagh Read More
Night and the city
New from the Spring 2018 edition. Andy Sheridan’s nocturnal compositions of a city at rest joins the great tradition of the flâneur, writes Ros Kavanagh Read More
Man on the bridge
New from the current edition. Stephanie McBride reflects on the extraordinary life’s work of Arthur Fields, the last of the street photographers Read More
Beyond the surface
New from the Autumn 2017 edition. Stephanie McBride examines the aesthetic of photographer David Farrell whose method of revisiting his subjects and themes allows for a sustained critical engagement Read More
Seven ages
In his seventieth year, John Minihan is still seeking the transient moment of creation, writes Fiona Kearney, as she reflects on his recent portfolio Read More
Portrait of a century
Kim Haughton’s portraits, on view now at the National Museum Collins Barracks, reflect on Ireland’s multi-layered society at the end of the first century of this nation state, writes Stephanie McBride Read More
Beacon in the dark
From the Spring 2017 edition: While working as an intern at the NPA Mike Bors gained access to a remarkable collection created by talented amatuer, Sir Robert Ball, astromoner and scientific adviser to the Commissioners of Irish Lights. Read More
The Galway shawl through the Clonbrock lens
From the Summer 2016 edition: In recording the traditional attire of female estate workers, Augusta Caroline Dillon of Clonbrock House, Co Galway, seemed presciently aware that her images would become historical document, writes Christiaan Corlett. Read More
Tales of the city
From the Autumn 2016 edition: Stephanie McBride welcomes the reissue of Dublin: The Heart of the City characterized by Brendan Walsh’s elegantly composed black and white photography with essays by Ronan Sheehan. Read More