The past is a foreign country
New from the Winter 2018 edition. Anita Groener’s strength lies in a total focus on her theme and her art, an art that draws in and challenges the viewer, writes Judith hill Read More
Sculpture
The unbearable lightness of being
New from the Autumn 2018 edition. Maud Cotter’s sculptures loom large without being monumental, writes Sarah Kelleher ahead of the artist’s exhibition at Limerick City Gallery of Art this autumn Read More
Construction deconstructed
New from the Summer 2018 edition. Sarah Kelleher introduces Siobhan O’Connor the 2018 recipient of the Roscommon’s Visual Artists Forum Award, ahead of her exhibition in June Read More
Compositions in space
New from the Spring 2018 edition. Angela Griffith reflects on the multifaceted practice of Alex Pentek, whose work ranges from the solidity of public art to the floating paper sculpture currently on view at the RHA Read More
Shadows from the past
New from the Spring 2018 edition. ‘I want to make sculpture that has a sense of timelessness’: Anthony Scott tells Brian McAvera why he finds inspiration in Irish mythology Read More
Centenary harvest
New from the current edition. Carissa Farrell explores the civic values inherent in Rachel Joynt’s recently unveiled 1916 commemorative commission, Dearcán na nDaoine, for the grounds of Áras an Uachtaráin Read More
Gaia’s Garden
New from the Autumn 2017 edition. Linda Brunker’s female avatars affirm nature and spirit. Mark Ewart talks to the Irish sculptor as she departs California for France Read More
From the ground up
Eilís O’Connell is widely admired for expanding the language of sculpture; here she tells Brian McAvera ‘Gravity is my dearest enemy’ ahead of her participation in ‘Ark’ this summer at Chester Cathedral Read More
Eco-warrior
From the Winter 2016 edition: Mark Ewart visits the studio of Allihies-based artist Rachel Parry who transforms natural matter into mesmerizing art. Read More