BA (Hons) Fine Art, University of Ulster
New Generation Gallery
My practice is based within printmaking, but I often combine analogue photomontage, screenprint and photointaglio print processes. My practice explores key issues of the current social and political climate, such as Brexit and Covid-19, focusing on the language and imagery of the mass media. My work can be triggered by a word, phrase, photograph, headline or event. In response, I create photomontages composed of appropriated text and image, illustrations, photography, and language, pasted onto newspaper which grounds the work in time by incorporating random headlines and dates. Nonsense is a key idea in my practice. In my work, the viewer is an active contributor whose interpretation is based on their individual context and understanding. I use material from readily available sources, including magazines and newspapers, to incorporate familiar signs and symbols in unfamiliar compositions. This unfamiliarity aims to counteract obvious or unconscious interpretations.
More info about Sheenagh Bleakney at https://www.instagram.com/bleakneysheenagh/