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Garden of earthly delights Mic Moroney is dazzled by the myriad influences at work in Dublin-based Andrzej Mazur’s oeuvre, on view at the RUA 135th Annual Exhibition. |
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Old masters made new Fragments from the past intermingle with the present to create a visual conundrum, writes Angela Griffith in her preview of new work from Geraldine O’Neill. |
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Homage to work A paen to work spaces? James Hanley investigates the surprising subject of Kevin Cosgrove’s solo show at the Butler Gallery, Kilkenny. |
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Celestial rhapsody James O’Nolan welcomes Felim Egan’s return to form with a body of work he describes as diaphanous and beautiful, on view at the Cross Gallery, Dublin. |
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Codebreaker John Cronin tackles the language of code in his latest examination of painting in the age of artificial intelligence, writes Luke Naessens. |
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A simple plan Frank McDonald celebrates the 40th anniversary and exhibition at the Irish Architectural Archive entitled ‘House and Home’. |
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Fresh cut Donal Maguire welcomes a long-awaited new suite of paintings from Mairead O’hEocha focused on the genre of flower painting. |
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Making her mark ‘Canvases make me nervous’ master printmaker Alice Hanratty tells Brian McAvera, as she reflects on her career trajectory. |
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Eco-warrior Mark Ewart visits the remote Allihies studio of artist Rachel Parry who conjures extraordinary sculpture from nature’s detritus. |
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Master of miniatures James Howley examines the allure of the art of miniature as seen in the work of illustrator extraordinaire Michael Craig. |
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Portrait of a century Kim Haughton’s centenary portfolio illustrates the diversity of Irish society, writes Stephanie McBride. |
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When Bridgit met Digit Nicola Gordon Bowe tells how the tender friendship between William Orpen and Beatrice Elvery began at the Dublin Metropolitan School of Art. |
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The young bohemians Patrick Swift’s critical writing remains relevant today by virtue of his intellect and his innate sensitivity, argues Brian Fallon. |
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Unearthing the past Peter Murray follows the Roman adventures of artist and antiquary Robert Fagan whose painting was inspired by Classical antiquity. |
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Cultural virtues Rosemarie Devereux looks at the artist contributors to A Celtic Christmas, a supplement to AE Russell’s The Irish Homestead. |
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Sarah Purser’s gift for friendship Since its foundation in 1924 the Friends of the National Collections of Ireland have gifted some 800 artworks to National Collections, writes John Maiben Gilmartin. |
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Living Heritage Sandra Andrea O’Connell looks at the transformations wrought by the Irish Heritage Trust at Fota House, Strokestown Park and Johnstown Castle. |
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Et in Arcadia Ego Kevin V Mulligan recalls the fall and rise of two exceptional architectural monuments in County Monaghan fuelled by the efforts of an inspired local community. |
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The Irish connection Peter Harbison examines the iconographical affinities between some Irish high crosses and a manuscript in the monastery of St Gall, Switzerland. |
