Drawing from a personal archive of natural imagery from my home place in Pennsylvania and time spent living in Norway and Ireland, my work seeks to create silly moments by pairing concentrated painting with found object manipulation. My practice is influenced by the absurdist narratives found in meme culture and the writings of Kurt Vonnegut, often investigating 'a human as creature' point of view. I also make up one half of a collaborative practice with artist Aoife Ní Dhuinn which documents collective exchanges through installation, public interventions, and publications.
