Irish Arts Review: The Quarterly Review of Irish Art

Working between the north Mayo coast and his Dublin studio, the landscape in Eddie Kennedy’s paintings is invariably a stepping stone to something else rather than an end in itself, writes Aidan Dunne

Rembrandt’s works on paper reveal the innovative artist as an unrivalled storyteller with an incredible eye for detail, writes An Van Camp

Rose Jane Leigh’s importance as an early pioneering Wexford landscape painter and her choice of studying in Antwerp placed her at the centre of the major art movements of the 19th and early 20th century, writes Mary Stratton Ryan

An exploration of the nature of line and time are fundamental to Brian Fay’s practice, writes Margarita Cappock

As George Bernard Shaw’s generous bequest to the National Gallery of Ireland draws to a close, Peter Somerville-Large looks at how the funds have been distributed

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