Irish Arts Review: The Quarterly Review of Irish Art

Nature is an abiding source for Maighread Tobin and her new series of paintings reflect her engagement with natural sculptural forms, writes Niamh NicGhabhann

Gabriel Hayes was invariably identified in the press as a woman, wife, mother and grandmother before being acknowledged as an artist, which distracted from serious critical reception of her work, writes Paula Murphy

Residency programmes are the life blood of the Ballinglen Arts Foundation, with each participating artist donating an artwork to the museum, writes Marie Bourke

Mike Fitzharris tells Brian McAvera of his attraction to colour captured in the brilliance of an Irish summer or Spain’s Andalucía

Roger Stalley traces the fractured history of Carlingford Castle in Co Louth, accessible to the public again following a ‘bold and unashamedly contemporary’ intervention by Howley Hayes Architects

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