Irish Arts Review: The Quarterly Review of Irish Art

The class of 2019 redefines what characterises visual culture today through their individual practices, writes Paul Caffrey

John Egan’s Portable Irish harp became the archetypal Irish harp, writes Nancy Hurrell

‘I knew from the age of three what I wanted to do,’ sculptor Carolyn Mulholland tells Brian McAvera

Using satellite imaging, photographer David Thomas Smith echoes the Arecibo radio message transmitted into deep space forty-five years ago, writes Stephanie McBride

Caoimhín Mac Giolla Léith meets painter and sculptor Marcel Vidal

New from the Summer 2019 edition. Years of ineffective heritage management, and neglect by owners, have left many historic buildings in Cork city in a poor state, with nearly one hundred listed as derelict. Read More

What’s On

Dublin: Mór Prints

‘Mór 2019’, an exhibition of large-scale original prints, opens at the Graphic Studio Gallery. Original prints are not frequently made in expansive dimensions, partially due to the physical constraints that the various mediums and printmaking apparatus can impose upon artists. … Read More

Painting

Multiplicity

New from the Autumn 2019 edition. Caoimhín Mac Giolla Léith meets painter and sculptor Marcel Vidal
Read More

Sculpture

Shifting Angles

New from the Autumn 2019 edition. ‘I knew from the age of three what I wanted to do,’ sculptor Carolyn Mulholland tells Brian McAvera Read More

Architecture & Design

Sinéad Brennan

New from the Autumn 2019 edition. Going to art college to study glass design was the first of many non-conventional steps Sinéad Brennan has taken to carve out a new kind of career path. Read More

Photography

Alchemy of shadows

New from the Autumn 2019 edition. Using satellite imaging, photographer David Thomas Smith echoes the Arecibo radio message transmitted into deep space forty-five years ago, writes Stephanie McBride Read More

Heritage

Restored splendour

New from the Autumn 2019 edition. The historically important Doneraile Court in north Cork has opened its doors to the public following an extensive conservation and renovation project, writes Peter Pearson
Read More

Books

The unveiling of a sculpture by Albert Power (1881-1945) in 1935 afforded a golden opportunity to an unidentified photographer. The location: Galway’s Eyre Square; the statue: writer Pádraic Ó’Conaire; the officiator: Éamon de Valera. Read More

fFacebook

wTwitter

Twitter Arts Council

Twitter

New Generation Graduates: Autumn Edition of the Irish Arts Review is Out Now! On sale in store and online: https://www.irishartsreview.com/shop/ pic.twitter.com/QeJ7PvRotl
September 5, 2019
New from the Autumn Edition: 'Alchemy of Shadows' Using satellite imaging, photographer David Thomas Smith @dtsm1th echoes the Arecibo radio message transmitted into deep space forty-five years ago, writes Stephanie McBride http://www.irishartsreview.com/alchemy-of-shadows/ …pic.twitter.com/GY0xQp4zDq
September 19, 2019
The work of Katie Spiers a recent graduate of @NCAD_Dublin - 'The Fading Call of the Curlew' To view more from the class of 2019 please visit https://www.irishartsreview.com/new-generation-artists-online-gallery/ … #NewGeneration #Irishgrads #IrishArt #sculpturepic.twitter.com/O4v30SZUcG
September 13, 2019

Arts Council

Creative Schools Week celebration begins across Ireland – Ministers McHugh and Madigan say ’join in’
The Arts Council has expressed its regret at the passing of Tom McIntyre
Irish-Language Writer-in-Residence Position at DCU in 2020
Artist in the Community Scheme 2019

Menu

Your Cart