The class of 2019 redefines what characterises visual culture today through their individual practices, writes Paul Caffrey
John Egan’s Portable Irish harp became the archetypal Irish harp, writes Nancy Hurrell
‘I knew from the age of three what I wanted to … Read More
Patrick Pye and Ludwig Van Beethoven
Patrick Pye
THE Arts Council’s mandate is pretty straightforward. To quote the relevant Act of 2003 the Arts Council is empowered ‘to assist in the development or advancement of the arts and for that purpose to … Read More
Conor Harrington Dance With the Devil 2013 oil and spray paint on linen 200 x 250cm
THREE years ago, the graffiti artist Conor Harrington made the front cover of the Irish Arts Review connected to an article on urban art by … Read More
The Crafts Council has been metamorphosed into the Design & Crafts Council of Ireland and is launching a campaign next year to promote more employment opportunities in design related businesses. Irish Design 2015 will be of particular interest to the … Read More
From the IAR Summer 2014 edition: Ursula Burke, Emma Donaldson and Deirdre McKenna explore the mutable topic of time at the F E McWilliam Gallery, Banbridge. Claire Dalton looks at their responses Read More
From the IAR Summer 2014 edition Irish Artists in the UK: Philip Treacy, milliner extraordinaire, by Deirdre McQuillan. Read More
Highlights from the current edition
ART COMMENTCork’s Heritage Buildings
Peter Murray comments on the state of Cork’s historic buildings
ARTIST APPRECIATIONSophisticated Primitive It becomes increasingly clear that Nano Reid was ahead of her time and milieu, writes Brian Fallon
INTERVIEW: Shifting Angles ‘I … Read More
Throughout history, technological inventions have shaped the development of graphic art. In 2500 BC, the Egyptians used graphic symbols to communicate their thoughts in a written form known as hieroglyphics. The Egyptians wrote and illustrated narratives on rolls of papyrus … Read More
