Aidan Dunne visits the survey exhibition of painter Richard Gorman at the Hugh Lane Gallery
Dublin artist Francis Matthews manages to give the impression of reality without becoming enmeshed in itemising endless physical detail, writes Aidan Dunne
Paddy Graham is warily self-critical as an artist, a quality that, while not unusual, is by no means universal, writes Aidan Dunne
Aidan Dunne examines the richly textural grid-based paintings of Denis Farrell, finding work of great temporal depth
Ahead of her touring exhibition commencing at the Highlanes Gallery, Diana Copperwhite talks with Aidan Dunne
Photographer and filmmaker Martin Healy tells Aidan Dunne how there’s something magical in using an analogue camera, ‘an alchemy’
The RHA’s exhibition indicates that the term ‘abstract’ now encompasses a broad church of artistic endeavour, writes Aidan Dunne
Peter Murray discovers that nature, culture and science intersect in the work of George Bolster
Aidan Dunne talks to painter Martin Mooney about his career and the development of his work
I’m always looking for an elemental quality,‚’ artist David Smith tells Aidan Dunne
Aidan Dunne considers the work of four artists, whose paintings are on view in the atmospheric space of Rathfarnham Castle
Aidan Dunne discovers how artist Ursula Burke uses the Classical tradition to reveal problematic and troubled realities
Aidan Dunne finds in the paintings of Anita Shelbourne subjects woven into the very fabric of environment