New from the Winter 2017 edition! It would be a mistake to assume that Gwen O’Dowd’s seascapes are simply about the delights of nature, writes Yvonne Scott. Gwen O’Dowd’s recent explorations of print techniques, on show at the Graphic Studio Gallery, alongside some of her painted studies, demonstrate that she continues to take advantage of the opportunities that experimentation provides. In this series, she pushes the boundaries of her established familiarity with carborundum print methods, and explores the potential of etching for the first time.

To read this article in full, subscribe or buy this edition of the Irish Arts Review

Immerse Graphic Print Studio: until 5th December

Share