Cycles

Cristín Leach visits Joanna Hopkins’ recent exhibition, which presents as a deeply personal engagement with communal, multigenerational wisdom


Cycles
Writer

Artist

Back to this Issue

Category
Artists

Share

When Joanna Hopkins was Visual Artist in Residence at Dublin City University during 2020–1, she researched the folklore of plants associated with healing in the National Folklore Collection. This resulted in her exhibition ‘Sympathetic Soup’. Some of that work made it into her recent solo show, ‘Fruity Bodies’, which ran at GOMA Gallery of Modern Art in Waterford. The exhibition featured video, installation, print, embroidery and photography, furthering her exploration of ideas to do with natural sustainability and the nature of the human body in the land.
‘The six months where I finalised everything for GOMA were the culmination of two years’ work,’ she says. ‘I would see it as a continuation of the work I developed in DCU. The ideas germinate, seed and grow.’

To read this article in full, subscribe or buy this edition of the Irish Arts Review

More from the Summer 2023 edition

Making history

Making history

Angela Griffith appraises Paul MacCormaic’s painting of Lucky Khambule, this year’s winner of the Ireland–U.S. Council and Irish Arts Review Portraiture Award


Preview Article
Poetic threads

Poetic threads

Rachel Thomas interviews Richard Malone, an artist who works across the media of sculpture, fashion and performance, pushing the boundaries of traditional sculpture.


Preview Article
Modelled contours

Modelled contours

Hilary Pyle recalls the artist Hilda Roberts, two-time winner of the RDS Taylor Art Award, whose talents were apparent from an early age


Preview Article
Shopping cart0
There are no products in the cart!
Continue shopping
0