The calibre of the work produced by graduate ceramicists and metalworkers is testament to the talent and experience of their tutors, writes Alison FitzGerald
Drawing is at the heart of Inga Reed’s working process, but she is also fundamentally interested in and curious about the structure of things.
Alison FitzGerald views an exhibition of ornamental gold and silver boxes, whose presentation and trade revealed the loyalties of those involved