Michaela Cutaya falls within the orbit of John Gerrard’s virtual constructions in her analysis of this year’s featured project at the Galway Arts Festival.
In response to the 1916 centenary, EVA International takes as its theme, the post-colonial legacy on the psyche and imagination of colonized communities, writes Michaele Cutaya.
Michaele Cutaya looks forward to Cecilia Danell’s solo show at the Galway Arts Centre inspired by time the artist spent in Sweden and Norway
A new installation by Cleary & Connolly conjures with the fact that William Chambers, architect of the Casino in Dublin, never actually visited the site, writes Michaele Cutaya
