New work from David Eager Maher at the Cross Gallery in September, will bewitch, beguile and bewilder, writes Riann Coulter
Clement McAleer’s panoramic views delve into nature’s underlying structure, writes Liam Kelly ahead of his winter exhibition at the Hamilton Gallery, Sligo
A striking new installation by John Kindness on Dublin’s Sir John Rogerson’s Quay, borrows from the ancients to recall the history of gas in Ireland, writes Nicola Gordon Bowe
In a new series of work for the RHA this winter Eithne Jordan has turned her attention toward home, writes Kevin Barry.
Eileen MacDonagh’s recent exhibition at VISUAL is a testimony to the artist’s love of stone, writes Carissa Farrell
Gerry Walker introduces a number of distinguished graduates from the class of 2012, celebrating skill, technological proficiency and insight.
Peter Murray finds similarities between the fictional character Kim and 19th-century photographer John Burke, whose path in Afghanistan, has been retraced by Simon Norfolk
Brian P Kennedy reveals how Sidney Nolan created his signature work. Rarely seen outside of Australia, the series is on view at IMMA in November
Peter Somerville-Large recalls the largesse of Sir Alfred Chester Beatty as highlights from his bequest to the National Gallery of Ireland go on view at the Chester Beatty Library this autumn.
Karen Reihill considers the significance of the Pierrot figure in the last phase of Gerard Dillon’s career
Chris Corlett lauds the work of stone carver Denis Cullen, who attracted commissions from a divided society in 18th-century Ireland
Peter Harbison recalls the ambitions of a short-lived 18th-century society whose aim was the preservation and recording of Ireland’s ancient past
Angela Griffith and Philip McEvansoneya discuss some highlights from an exhibition celebrating Irish artists’ engagement with publishing in the period 1830–1930.
John McLaughlin assesses heneghan peng’s dramatically sited but elegantly unobtrusive visitor centre for the Giant’s Causeway in Antrim
Eleanor Flegg recalls the foundation of the furniture college in this their 25th year, as examples of current thinking in design from both staff and alumni goes on display at Farmleigh Gallery, Dublin in November.
Art Ó Murnaghan’s major achievement was the merging of the antiquarian and political worlds, writes Sandra Heise ahead of a new book on his life’s work.
Eamonn McEneaney selects medieval documents recently acquired by Waterford Museum of Treasures
