William Laffan selects a pair of Louis XV corner cupboards recently returned to Castletown

In March 1763 Lady Holland (nee Caroline Lennox) faced the awkward problem of what to buy a sister who has everything and is furnishing a house. The sister was Louisa Conolly and the house, of course, was Castletown. For help Caroline turned to another sister Emily, Countess of Kildare: ‘Pray dear Sis, find out for me what piece of furniture would be agreeable to Lady Louisa. I hear she likes l’ Anglay’s inlaid things very much, and I would wish to send her something that might suit some of her rooms, whether commode table, bureau or coins, which to be sure one might vulgarly call corner cupboards; but really they are lovely and finish a room so well’. ‘L’Anglay’ is the London-based cabinet maker of French extraction, Pierre Langlois, and indeed almost exactly a year earlier on 22 March 1762 Louisa had been anxiously awaiting the delivery of a commode from his workshop (‘its one of the cheap ones but I shall like it mightily and hope it will come soon’).
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It is the implication of something beyond a simple landscape that makes Martin Gale’s art so compelling, writes Alison FitzGerald as his exhibition continues at Taylor Galleries, Dublin