Patrick Bowe looks at paintings of three Irish gardens, which favour effects of light and colour over botanical detail
The early 20th century saw a number of artists, especially watercolourists, turn to painting gardens. Among them was George Samuel Elgood (1851–1943). He travelled throughout Europe, mainly painting historic gardens in England, Italy, France and Spain. He also painted three gardens in Ireland. In 1904, these watercolours were published by Gertrude Jekyll (1843–1932), the doyenne of English garden writers and designers of her time, in her book Classic English Gardens. Jekyll included accounts of the three Irish gardens, describing them as locations of ‘the sister isle’. Though the gardens no longer exist, these paintings are an invaluable record of them at their finest.
To read this article in full, subscribe or buy this edition of the Irish Arts Review
A Surrealist influence is evident in With Tomorrow, where the use of the Rückenfigur – a person seen from behind – dominates and where the surrounding space creates a tense and intriguing setting, writes Róisín Kennedy
Margarita Cappock visits Barbara Knežević’s exhibition, in which she explores her Balkan heritage through sculpture and film
Zsolt Basti talks to Francis Halsall about his accomplished practice, in which abstraction is an act of empathy