New from the Autumn 2020 edition. The National Museum of Ireland’s up-coming Glendalough exhibition includes items that have come to light in the valley and its environs over the last two or three centuries and which have never been seen in public before, writes Matthew Seaver Read More
New from the Spring 2020 edition. The legacy of stained-glass artist Helen Moloney is in the vibrancy of her colours and her use of coloured glass and lead lines in an abstract manner, writes Bart Felle Read More
New from the Spring 2020 edition. There are echoes of the old Roman circus on the bases of Irish high crosses at Clonmacnoise, Monasterboice and Lorrha, writes Peter Harbison Read More
New from the Winter 2019 edition. A small number of Irish stone circles exhibit convincing evidence of intentional astronomical alignment at winter or summer solstice, writes Frank Prendergast. Photographs by Ken Williams Read More
Peter Harbison argues that the influences of continental frescoes could lead to a later dating of the Book of Kells Read More
New from the Autumn 2019 edition. The historically important Doneraile Court in north Cork has opened its doors to the public following an extensive conservation and renovation project, writes Peter Pearson
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New from the Summer 2019 edition.
Peter Harbison unearths the works of amateur artist and archaeologist Richard Colt Hoare during his summer in Ireland in 1806 Read More
New from the Spring 2019 edition. Rosemarie Devereux paints a picture of Mary Cottenham Yeats as a talented, resourceful artist in a variety of media Read More
New from the Winter 2018 edition.
Sarah Gillespie recalls how the Wynne sisters of County Wicklow transformed the produce of a small woollen mill and brought it to the centre of fashion in Paris and beyond
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From the IAR Archive Grace Fegan selects the historic Charter of James I from the Medieval Mile Museum, Kilkenny Read More
