The aesthetics of the digital age are invoked in Diana Copperwhite’s new paintings at the RHA, writes Yvonne Scott
Brian McAvera sees Colin Davidson wrestle with sexual politics in his new series of Nudes on view this autumn at Oliver Sears Gallery, Dublin.
Weird, slightly nauseating yet also beautiful; Francis Halsall looks forward to Siobhán Hapaska’s autumn exhibition at the Kerlin Gallery, Dublin.
Nicola Gordon Bowe previews multidisciplinary work by four artists inspired by their location in Co Clare showing at Origin in September
As Maser prepares for his Graphic Studio Gallery debut, his recent controversy with Dublin City Council reminds us he’s a street-writing man, writes Mic Moroney
Compared to metal and marble sugar and wax may seem like frivolous materials but sculptor Brenda Jamison is made of sterner stuff, as Brian McAvera discovers
Michael Kane has not only forged a style, he has helped substantially to forge the style of others, writes Brian Fallon ahead of the Hugh Lane Gallery’s survey exhibition in October
Sculpture and glass are part of Killian Schürmann’s DNA. Paula Murphy visits his studio as he finalizes his most ambitious project to date, for University College Dublin
Can the pragmatic 21st-century East range at Trinity College Dublin match the 18th-century splendour of the West Front? James Howley appraises recent developments on the campus
Stephanie McBride welcomes the reissue of Dublin: The Heart of the City characterized by Brendan Walsh’s elegantly composed black and white photography with essays by Ronan Sheehan.
Irish-born artist George William Joy was an accomplished and cosmopolitan figure, who created one of the Victorian era’s most popular paintings, writes Julian Campbell
William Turner de Lond captured two significant political events during his sojourn in Ireland, examined here by Mary Jane Boland.
Jane Fenlon considers the political iconography at work in John Michael Wright’s remarkable portrait of Sir Neil O’Neill
The Irish National Memorial Gardens at Islandbridge in Dublin represents one of the most admirable and noble projects undertaken in the newly founded Irish Free State, writes Kevin V Mulligan
Behind the bustle and colour of the 2016 graduate shows Gerry Walker finds a wealth of well-researched, accomplished projects.
William Shortall selects Clonfinloch by Hilary Heron, from the collection of Failte Ireland
