Munster creatives

Michael Waldron remembers Cork’s Munster Fine Art Club (1920–1988), which exhibited the work of local artists and Irish artists with national and international reputations


Munster creatives
Writer

Back to this Issue

Category
Heritage
Museums and Collections

Share

On a mid-October night in 1921, during the War of Independence in Ireland, two men inside the Crawford Municipal School of Art in Emmet Place in Cork hear the marching steps of a Black and Tans patrol outside, which is soon followed by loud banging on the front door. A curfew is in place. After an anxious interval, the persistent patrol leader is permitted entry and he stands amidst paintings and sculptures arrayed on the floor. The two men, Hugh C Charde and Timothy J O’Leary, are promptly escorted from the premises, hurried into a lorry and taken to nearby Victoria Barracks for questioning. O’Leary is released with a warning, Charde held overnight. Suspicious meetings have been taking place. They are under surveillance.

To read this article in full, subscribe or buy this edition of the Irish Arts Review

More from the Summer 2025 edition

Rückenfigur

Rückenfigur

A Surrealist influence is evident in With Tomorrow, where the use of the Rückenfigur – a person seen from behind – dominates and where the surrounding space creates a tense and intriguing setting, writes Róisín Kennedy


Preview Article
Ancient echoes

Ancient echoes

Margarita Cappock visits Barbara Knežević’s exhibition, in which she explores her Balkan heritage through sculpture and film


Preview Article
Mind’s eye

Mind’s eye

Zsolt Basti talks to Francis Halsall about his accomplished practice, in which abstraction is an act of empathy


Preview Article
Shopping cart0
There are no products in the cart!
Continue shopping
0