Impressively executed and unsettling in effect, Molly Judd’s Murmuring Lights, is a worthy winner of this year’s Ireland-U.S. Council/Irish Arts Review Portraiture Award, writes Donal Maguire.
George Warren’s approach to art is influenced and inspired by his interest in analytical psychology, writes Robert Armstrong.
Plein air or plein foolhardy? Joe Wilson takes on the Beara, writes James O’Nolan ahead of the artist’s solo show at the Catherine Hammond Gallery, Skibbereen, Co Cork
Isabella Evangelisti previews a collection of new paintings from Una Sealy that take as their focus the edge between land and sea, youth and maturity, on view at the RHA, Dublin.
Neal Greig tells Mark Ewart of his sense of wonderment’ at being in the landscape ahead of his exhibition at the Claremorris Gallery, Co Mayo in August
Janet Mullarney’s belief in the power of materials to give life to ideas is seen in the art she has curated for Farmleigh Gallery, Dublin, on view this summer, writes Carissa Farrell
Riann Coulter points to some highlights from David Crone’s forthcoming retrospective hosted at the FE McWilliam Gallery
Richard Gorman is marking his 70th year with an exhibition at Castletown, Co Kildare where his colourful abstracts animate the walls of its classical interior, writes Jennifer Goff.
Colin Darke tells Brian McAvera how seeing a burning cigarette paper sparked an idea for an expressive means of communication
Gerry Walker welcomes an alternative to the conventions of gallery management in the work of Olivier Cornet
Judith Hill examines the political content of Robert Ballagh’s survey exhibition at the Hunt Museum, Limerick
A collector’s personal initiative to mark 1916 delivers a reflective response from some of Ireland’s most prominent artists, writes Sarah Kelleher
Few sites in Ireland are as resonant as Dublin’s GPO, where the new Witness History Centre enriches our understanding of this symbol of nationhood, writes James Howley
In recording the traditional attire of female estate workers, Augusta Caroline Dillon of Clonbrock House, Co Galway, seemed presciently aware that her images would become historical document, writes Christiaan Corlett.
George Berkeley is famous for his contribution to philosophical thought, but less well known for his observations on art, some of which Peter Murray examines here.
As the Royal Hotocultural Society of Ireland celebrates its 200th anniversary this year, President of the RHSI Robert S Myerscough, recalls its foundation and reports on its plan to renovate Russborough’s walled garden
