While this year’s graduates are very diverse in theme and approach, they reflect close engagement with ideas of embodiment, writes Niamh NicGhabhann
Niamh NicGhabhann finds that central to Emma Roche’s recent painting is a concern for the stress of assembly-line work
Niamh NicGhabhann explores the detail and impetus behind the latest work in the ‘Magdalene Series’ of exhibitions at Rua Red