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Paula Murphy

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Paula Murphy is Professor Emeritus, School of Art History and Cultural Policy, UCD.

Articles by Paula Murphy

Let Us Rise
Sculpture

Let Us Rise


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Corpus
Sculpture

Corpus


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Destiny’s Child
Sculpture

Destiny’s Child


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Warriors and Statesmen
Sculpture

Warriors and Statesmen


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Book Review: The Life and Work of Oisín Kelly
Books

Book Review: The Life and Work of Oisín Kelly


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Book Review: THE SCULPTURE OF F E MCWILLIAM
Books

Book Review: THE SCULPTURE OF F E MCWILLIAM


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Book Review: The Life and Works of Augustus Saint Gaudens
Books

Book Review: The Life and Works of Augustus Saint Gaudens


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Terence Farrell, Sculptor
Sculpture

Terence Farrell, Sculptor


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Thomas Farrell, Sculptor
Sculpture

Thomas Farrell, Sculptor


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The Politics of the Street Monument
Sculpture

The Politics of the Street Monument


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John Henry Foley’s O’Connell Monument
Sculpture

John Henry Foley’s O’Connell Monument


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Rhythm, Repetition and Reproduction Re-Experiencing the Art of James Coleman
Arts Lives and Exhibitions

Rhythm, Repetition and Reproduction Re-Experiencing the Art of James Coleman


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Corrigendum: Dun Emer: The Origins
Arts Lives and Exhibitions

Corrigendum: Dun Emer: The Origins


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Strike a pose
Sculpture

Strike a pose


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1916 Centenary: Warriors and statesmen
Sculpture

1916 Centenary: Warriors and statesmen


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Laurence of Sculpture
Sculpture

Laurence of Sculpture


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In her hands
Artists Sculpture

In her hands


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Figures of Dignity
Arts Lives and Exhibitions

Figures of Dignity


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Centre stage
Sculpture

Centre stage


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Winning Ways
Arts Lives and Exhibitions Sculpture

Winning Ways

Gabriel Hayes was invariably identified in the press as a woman, wife, mother and grandmother before being acknowledged as an artist, which distracted from serious critical reception of her work, writes Paula Murphy


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