In her hands

Paula Murphy celebrates the work of Imogen Stuart over the course of her six-decade career


In her hands
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When members of the public in Ireland are questioned as to a favourite piece of sculpture, they will often mention works by Imogen Stuart – her Fiddler of Dooney and Children (1964–5) in the Stillorgan Shopping Centre in Dublin (Fig 5), her Group of Children (1969) in Tyrrellspass, Co Westmeath, her ‘very spectacular’ relief of St Michael and the Dragon (1973) in St Michael’s Church, Dún Laoghaire, 1 her Monument to Pope John Paul II (1986) in Maynooth College and The Flame of Human Dignity (2005) in the grounds of the Centre Culturel Irlandais in Paris, to name but a few.

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