Compositions in space
New from the Spring 2018 edition. Angela Griffith reflects on the multifaceted practice of Alex Pentek, whose work ranges from the solidity of public art to the floating paper sculpture currently on view at the RHA Read More
Sculpture
Shadows from the past
New from the Spring 2018 edition. ‘I want to make sculpture that has a sense of timelessness’: Anthony Scott tells Brian McAvera why he finds inspiration in Irish mythology Read More
Centenary harvest
New from the current edition. Carissa Farrell explores the civic values inherent in Rachel Joynt’s recently unveiled 1916 commemorative commission, Dearcán na nDaoine, for the grounds of Áras an Uachtaráin Read More
Gaia’s Garden
New from the Autumn 2017 edition. Linda Brunker’s female avatars affirm nature and spirit. Mark Ewart talks to the Irish sculptor as she departs California for France Read More
From the ground up
Eilís O’Connell is widely admired for expanding the language of sculpture; here she tells Brian McAvera ‘Gravity is my dearest enemy’ ahead of her participation in ‘Ark’ this summer at Chester Cathedral Read More
Eco-warrior
From the Winter 2016 edition: Mark Ewart visits the studio of Allihies-based artist Rachel Parry who transforms natural matter into mesmerizing art. Read More
Return to form
From the Spring 2017 edition: Kevin Francis Gray’s debt to classical sculpture is both obvious and complicated, writes Riann Coulter in anticipation of the Armagh-born artist’s first exhibition on this island. Read More
Of birds and beasts
Eoghan Nolan traces the influence of location in the sculpture of Achill-based sculptor, Ronan Halpin Read More
Inner-visions
From the Summer 2016 edition: George Warren’s approach to art is influenced and inspired by his interest in analytical psychology, writes Robert Armstrong. Read More
Essays on disharmony
From the Autumn 2016 edition: Weird, slightly nauseating yet also beautiful; Francis Halsall looks forward to Siobhán Hapaska’s autumn exhibition at the Kerlin Gallery, Dublin. Read More