Ancient paths
New from the Winter 2019 edition. The map patterns in her work, although abstract in appearance, are accurate and can still be read, Michelle Byrne tells Carissa Farrell Read More
Sculpture
Shifting Angles
New from the Autumn 2019 edition. ‘I knew from the age of three what I wanted to do,’ sculptor Carolyn Mulholland tells Brian McAvera Read More
Spatial Dynamics
New from the Spring 2019 edition. Research into theoretical principles across the fields of art, science and aesthetics imbue Nuala O’Donovan’s work, writes Mark Ewart
Read More
The past is a foreign country
New from the Winter 2018 edition. Anita Groener’s strength lies in a total focus on her theme and her art, an art that draws in and challenges the viewer, writes Judith hill Read More
The unbearable lightness of being
New from the Autumn 2018 edition. Maud Cotter’s sculptures loom large without being monumental, writes Sarah Kelleher ahead of the artist’s exhibition at Limerick City Gallery of Art this autumn Read More
Construction deconstructed
New from the Summer 2018 edition. Sarah Kelleher introduces Siobhan O’Connor the 2018 recipient of the Roscommon’s Visual Artists Forum Award, ahead of her exhibition in June Read More
Compositions in space
New from the Spring 2018 edition. Angela Griffith reflects on the multifaceted practice of Alex Pentek, whose work ranges from the solidity of public art to the floating paper sculpture currently on view at the RHA Read More
Shadows from the past
New from the Spring 2018 edition. ‘I want to make sculpture that has a sense of timelessness’: Anthony Scott tells Brian McAvera why he finds inspiration in Irish mythology Read More