Metamorphosis
New from the Winter 2021 edition. Olivia Musgrave’s interest in the Classics greatly informs her sculptures, writes Peter Murray
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Sculpture
Myth and material
New from the Autumn 2021 edition. Isabella Evangelisti visits the studio of sculptor Sallyanne Morgan and finds that there is potential for much larger, more expansive work
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Sculpted icons
New from the Summer 2021 edition. Anna Campbell has maintained a remarkable consistency in terms of both technical skill and artistic vision, writes Riann Coulter
Porous boundaries
New from the Spring 2021 edition. John Rainey tells Michael Waldron that he designs environments for his work to exist in, thereby reversing the dynamic so that we exist within their world for a period of time Read More
Furrows of steel
New from the Winter 2020 edition. Joe Butler’s career shows a total dedication to his pursuit of open, direct metal sculpture, writes John Behan Read More
New from the Autumn 2020 edition. Flannagan was ecstatic about his first encounter with Ireland and particularly the abundance of different stones lying in the fields in Connemara, writes Paula Murphy
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New from the Autumn 2020 edition. Influenced by his travels, David Dunne’s work has been a deep and profound study on honouring sites of rupture, writes Mike Fitzpatrick Read More
Homage to Eileen Gray
New from the Autumn 2020 edition. Sculptor Eilis O’Connell uses digital technology to show her work in an experimental and groundbreaking way, writes Jennifer Goff Read More
Tidal force
New from the Spring 2020 edition. The sea’s characteristics, particularly its unpredictability and perpetual rhythm, continuously inspire, Alva Gallagher tells Carissa Farrell Read More
Ancient paths
New from the Winter 2019 edition. The map patterns in her work, although abstract in appearance, are accurate and can still be read, Michelle Byrne tells Carissa Farrell Read More