Aidan Dunne discovers how artist Ursula Burke uses the Classical tradition to reveal problematic and troubled realities
Lynsay-Erin Mercer’s careful and meticulous process mirrors the consideration and depth of her conceptualisation, writes Isabella Evangelisti
Gabriel Hayes was invariably identified in the press as a woman, wife, mother and grandmother before being acknowledged as an artist, which distracted from serious critical reception of her work, writes Paula Murphy
Paula Murphy celebrates the work of Imogen Stuart over the course of her six-decade career
Laurence Campbell was an enigmatic figure, markedl y different from his peers, writes Paula Murphy
‘I just can’t cut myself off from the real world, what’s happening around me – there is that underlying anxiety,’ sculptor Tom Fitzgerald tells Mike Fitzpatrick
Olivia Musgrave’s interest in the Classics greatly informs her sculptures, writes Peter Murray
Anna Campbell has maintained a remarkable consistency in terms of both technical skill and artistic vision, writes Riann Coulter
The sea’s characteristics, particularly its unpredictability and perpetual rhythm, continuously inspire, Alva Gallagher tells Carissa Farrell
Rachel Thomas interviews Richard Malone, an artist who works across the media of sculpture, fashion and performance, pushing the boundaries of traditional sculpture.
Paula Murphy celebrates the work of Imogen Stuart over the course of her six-decade career
Julian Campbell finds that sculptor Peter McTigue’s traditional methods belie a resolutely Modernist vision.
Paula Murphy considers the work of Irish American Edmond T Quinn, one of the leading sculptors of his generation