James Hanley examines the art of Brian Palm whose love of the sea made him an ideal designer for An Post’s RMS Leinster stamp launching in October
James Hanley previews an exhibition at Ranelagh Arts Centre where the theme of intimacy reflects the sense of community at work there
James Hanley previews new work from Claire Kerr at London’s Purdy Hicks Gallery that overturns the art world’s obsession with grand scale
In a new series of landscapes at the Gordon Gallery, Derry, Bernadette Madden’s mastery with a demanding medium evokes a richly atmospheric sense of place, writes James Hanley
‘The Surreal in Irish Art’ opening at the F E McWilliam Gallery & Studio, Banbridge, Co Down, in May is the first exhibition to explore the influence of Surrealism on Irish art, writes Riann Coulter
James Hanley pinpoints the hallmarks of a ‘painter’s painter as seen on Joe Dunne’s meditative suite of paintings on view at the RHA
Light drives the focus and the atmosphere in Kevin Cosgrove’s series on unpeopled workspaces, writes James Hanley as Cosgrove’s solo show continues at the Butler Gallery, Kilkenny
Losing faith in the early success of her work led Miseon Lee on a journey of self-discovery, both in artistic terms and geographically, writes James Hanley