Catherine Marshall previews Hughie O’Donoghue’s latest body of work, a creative hybrid of painting and photography
There are a number of themes that surface in every encounter with Hughie O’Donoghue’s artwork, arising either from a direct exposure to the artwork itself or to the artist’s parallel writing. I am talking about scale and monumentality, about personal memory becoming public, about the human body and ultimately, about painting and image-making
