Catherine Marshall

The Restoration of the Dining Hall, Trinity College, Dublin

The Restoration of the Dining Hall, Trinity College, Dublin


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‘A Quiet National Treasure’: Gordon Lambert and the Making of a Collection

‘A Quiet National Treasure’: Gordon Lambert and the Making of a Collection


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Choosing the Battleground: Robert Ballagh’s Paintings

Choosing the Battleground: Robert Ballagh’s Paintings


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Book Review: Irish Art Masterpieces

Book Review: Irish Art Masterpieces


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Book Review: Sean Scully: Body of Light

Book Review: Sean Scully: Body of Light


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Book Review: William Scott

Book Review: William Scott


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Book Review: The Irish Museum of Modern Art. Catalogue of the Collection May 1991-1998

Book Review: The Irish Museum of Modern Art. Catalogue of the Collection May 1991-1998


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The art of Looking

The art of Looking

Catherine Marshall visits the studio of Hennessy Craig prize-winner Mollie Douthit as she prepares for a solo exhibition at the Royal Hibernian Academy in 2015


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LIFE-LINES

LIFE-LINES

Sean Scully’s Contribution to Abstract Art by Catherine Marshall


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What’s the story?

What’s the story?

Catherine Marshall checks the pulse of this year’s graduates of distinction and finds their communication skills well honed.


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Survival instincts

Survival instincts

Brian Bourke recalls old conflicts together with themes of resilience in his discrete series of works at the Taylor Galleries, Dublin this spring, writes Catherine Marshall


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Order and chaos

Order and chaos

Equivalence is not defined by the square inch, writes Catherine Marshall, of Ciaran Murphy’s pairing with Nigel Cooke at the Douglas Hyde Gallery this summer


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Artist by the sea: the paintings of Mary Lohan

Artist by the sea: the paintings of Mary Lohan

Within a deliberately restricted theme, Mary Lohan offers a new confrontation with the sublime, writes Catherine Marshall ahead of the artist’s exhibition at the Hamilton Gallery, Sligo, in June.


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The coercion of substance

The coercion of substance

Form and colour in Sam Walsh’s new series of paintings at Visual in Carlow, tantalise but ultimately remain evocative, writes Catherine Marshall


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√ìmos do Máire Mhaith

√ìmos do Máire Mhaith


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Aloysius O’Kelly: The Scarlet Pimpernel of Irish painting

Aloysius O’Kelly: The Scarlet Pimpernel of Irish painting


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Book Review: TWENTIETH CENTURY VOLUME V

Book Review: TWENTIETH CENTURY VOLUME V


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Book Review: LEONORA CARRINGTON

Book Review: LEONORA CARRINGTON


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Book Review: Brian O’Doherty/Patrick Ireland between Categories

Book Review: Brian O’Doherty/Patrick Ireland between Categories


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Book Review: Patrick Scott

Book Review: Patrick Scott


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Book Review: How to Read a Modern Painting – Understanding and Enjoying the Modern Masters

Book Review: How to Read a Modern Painting – Understanding and Enjoying the Modern Masters


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A pilgrim’s traces

A pilgrim’s traces

Catherine Marshall assesses the unwavering artistic journey of Maria Simonds-Gooding in advance of her retrospective in Dublin

 


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