Judith Hill explores the visual clues in David Lilburn’s prints which combine to create narratives that are rich in personal and cultural references.
There is a paradox at the heart of David Lilburn’s art: the spontaneity of drawing has been worked into the deliberation of a print without losing an iota of life. Vitality – quick life – is the very subject and being of his work. And yet his means, the intaglio print, requires laboured cutting into a metal plate and the calculation needed to compensate for the fact that what is cut will appear in reverse in the final print.
Stephanie McBride talks to Mike Bunn about the craft of old school photography and his plans to establish an academy for photographers
Losing faith in the early success of her work led Miseon Lee on a journey of self-discovery, both in artistic terms and geographically, writes James Hanley