Judith Hill

Book Review: Irish Public Sculpture: A History

Book Review: Irish Public Sculpture: A History


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A Profile of Maurice Craig

A Profile of Maurice Craig


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Emo Court: Portrait of a Survival

Emo Court: Portrait of a Survival


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The Conservation of Irish Houses 1984-2004

The Conservation of Irish Houses 1984-2004


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Book Review: Miscelanea Structura Curiosa – Samuel Chearnley

Book Review: Miscelanea Structura Curiosa – Samuel Chearnley


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Book Review: Irish Architectural and Decorative Studies, Vol. VI

Book Review: Irish Architectural and Decorative Studies, Vol. VI


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Book Review: Oliver Sheppard 1865-1941: Symbolist Sculptor of the Irish Cultural Revival

Book Review: Oliver Sheppard 1865-1941: Symbolist Sculptor of the Irish Cultural Revival


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Book Review: Irish Conservation Directory

Book Review: Irish Conservation Directory


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Lilburn’s pictorial odyssey

Lilburn’s pictorial odyssey


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Setting the stage at the IWA

Setting the stage at the IWA


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Killua in Transformation

Killua in Transformation


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Landscape, Architecture and Scholarship

Landscape, Architecture and Scholarship


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Transforming the city

Transforming the city

Is 2014 the moment when a tide of enthusiasm, funding, and vision will lead to a transformation of Limerick city, asks Judith Hill


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Book Review: IRISH HISTORIC TOWNS ATLAS, NO. 21, LIMERICK

Book Review: IRISH HISTORIC TOWNS ATLAS, NO. 21, LIMERICK


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Book Review: Dublin 1660-1860: The Shaping of a City

Book Review: Dublin 1660-1860: The Shaping of a City


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Herald Angels Sing

Herald Angels Sing

First opened for service on Christmas day 1814, the 200-year-old Chapel Royal is taking its place in 21st-century Dublin, writes Judith Hill


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Mirror To An Age

Mirror To An Age

Judith Hill examines the political content of Robert Ballagh’s survey exhibition at the Hunt Museum, Limerick


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Book Review: Irish architectural and decorative studies vol xviii

Book Review: Irish architectural and decorative studies vol xviii


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The past is a foreign country

The past is a foreign country

Anita Groener’s strength lies in a total focus on her theme and her art, an art that draws in and challenges the viewer, writes Judith Hill

 


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Taking stock

Taking stock

Prompted by the splendid facsimiles of the Irish Parliamentary bindings, Judith Hill recalls the journey taken by the originals from Dublin Castle to a purpose-built repository


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Between form and space

Between form and space

Many principles came into force to guide the shaping of UL’s outdoor sculpture collection, not least the overarching vision of Ed Walsh. Judith Hill gives an insight into its conception

 


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