Stephanie McBride reflects on the extraordinary life’s work of Arthur Fields, the last of the street photographers
Stephanie McBride reflects on the extraordinary life’s work of Arthur Fields, the last of the street photographers
The V&A’s ‘Memory Palace’ exhibition in London in 2013, based on Hari Kunzru’s novella, presented a world after the ravages of a magnetic storm, in which all recording and collecting are banned, and acts of remembering become acts of resistance. In such a dystopia, Ciarán Deeney and David Clarke, co-ordinators of the Man on the Bridge project, would likely be jailed as rebels, given their extraordinary act of amassing thousands of old images and stories.
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The V&A’s ‘Memory Palace’ exhibition in London in 2013, based on Hari Kunzru’s novella, presented a world after the ravages of a magnetic storm, in which all recording and collecting are banned, and acts of remembering become acts of resistance. In such a dystopia, Ciarán Deeney and David Clarke, co-ordinators of the Man on the Bridge project, would likely be jailed as rebels, given their extraordinary act of amassing thousands of old images and stories.
All around the globe, conflicts have and continue to shape the land and their inhabitants’; Elizabeth Magill explores the flipside of the buccolic in conversation with Brian McAvera.
