Stephanie McBride regards the work of an accomplished 19th-century photographer who sensitively recorded portraits of people and place
Betty Conlon’s photographs of Dublin’s historic market reveal living histories, writes Stephanie McBride
Debbie Godsell tells Stephanie McBride that she used natural light in her photographs of harvest displays in churches in Co Cork to portray as honest an image as possible
Stephanie McBride meets Dominic Turner whose art photography is created with a finesse reminiscent of a bygone age
Photographer and filmmaker Martin Healy tells Aidan Dunne how there’s something magical in using an analogue camera, ‘an alchemy’
Dianne Whyte’s images elevate the mundane and the overlooked with a sublime grace, writes Stephanie McBride
Mary Furlong tells Stephanie McBride how her photographic project with accompanying text delves into the memories of her childhood
Stephanie McBride looks at Sharon Murphy’s latest photographic series, which is informed by magic realism
Stephanie McBride finds that Andrew Nuding’s photobook Hunt the Wren mixes tradition and modernity, revitalising ways of belonging in place and history
Stephanie McBride looks at the work of Dublin-born photographer Alen MacWeeney
Stephanie McBride regards Norman McCloskey’s unpeopled images that expose the West of Ireland landscape in all its temperaments
David Davison looks at the photographs in the last chapter of the National Library of Ireland’s recent digitisation project
Stephanie McBride explores Deirdre Brennan’s photographic response to James Joyce’s Ulysses
In a world where the analogue is routinely discarded, Aoife Shanahan’s explorations invite us to look more closely and more intensely at the image, writes Stephanie McBride
Ros Kavanagh tells Stephanie McBride how the influence of architecture permeates his photographic work
