Stephanie McBride draws parallels between recent photography and new works on video by Anthony Haughey to be shown at Limerick City Gallery of Art
Stephanie McBride examines a collaborative photographic project that artfully captures the bravado and vulnerability of being seventeen
While the patterns set by drystone walls on Inishmore present a harmonious picture of land and occupant, Daragh Muldowney’s overarching concern is for the planet, writes Stephanie McBride
Eamonn Doyle’s portraits of Dubliners are unposed, untroubled by vanity and full of momentum, writes Stephanie McBride
Stephanie McBride reflects on the extraordinary life’s work of Arthur Fields, the last of the street photographers
Stephanie McBride examines the aesthetic of photographer David Farrell whose method of revisiting his subjects and themes allows for a sustained critical engagement
Stephanie McBride welcomes the reissue of Dublin: The Heart of the City characterized by Brendan Walsh’s elegantly composed black and white photography with essays by Ronan Sheehan.
Kim Haughton’s portraits, on view now at the National Museum Collins Barracks, reflect on Ireland’s multi-layered society at the end of the first century of this nation state, writes Stephanie McBride
Michael Nolan’s images of a present-day meitheal invoke much older notions of kinship and identity, writes Stephanie McBride of the photographer’s festival sketches.
