Exhibitions

Drawing close

Drawing close

Pamela Dunne’s brooding chiaroscuro landscapes and self-portraits epitomise the sombre tonalities of the drypoint process, writes Kieran Cashell


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Backstage with O’Casey

Backstage with O’Casey

John P O’Sullivan surveys Mick O’Dea’s paintings of characters from the playwright Seán O’Casey’s plays


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Bird’s-eye view

Bird’s-eye view

There is a confidence about Mollie Douthit’s practice, which is slow and considered, writes Margarita Cappock


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Coders of the zeitgeist

Coders of the zeitgeist

What is urgent for artists working in Ireland? Sarah Kelleher explores the RDS Visual Art Awards at the Irish Museum of Modern Art


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On duty

On duty

Artist Jack Hickey tells Cristín Leach that his influences range from Caravaggio to Nan Goldin


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The Myth of Medusa

The Myth of Medusa

Sonia Shiel turns painting on its head, writes Catherine Marshall, and her exhibition invites reflective pauses, moments to question what you have just seen


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Island life

Island life

Gráinne Coughlan examines the work of Bere Island artist Mary K Sullivan


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Out of exile

Out of exile

John P O’Sullivan meets with John Kindness ahead of his exhibition ‘Odyssey’, at the Royal Hibernian Academy


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Silent matter

Silent matter

Aidan Dunne considers the work of four artists, whose paintings are on view in the atmospheric space of Rathfarnham Castle


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A Sense of Home

A Sense of Home

Ahead of Gordon Hogan’s first exhibition in Ireland, Mike Fitzpatrick visits the artist at his home in Tipperary


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Paul Mosse: early works

Paul Mosse: early works


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