What strange twist of fate brought Nat Hone and Sobeslav Pinkas together in 1857 to paint the same shepherdess near Fontainebleau? Julian Campbell offers an explanation
Hilary Pyle remembers Sarah Purser’s retrospective of Nathaniel Hone in 1901 and its far-reaching role in raising the profile of Irish contemporary art
Nathaniel Hone excelled at capturing the great outdoors, whether pastoral or coastal: to mark his centenary Julian Campbell examines his dramatic County Clare marine works