A collector’s personal initiative to mark 1916 delivers a reflective response from some of Ireland’s most prominent artists, writes Sarah Kelleher
Sarah Kelleher reports on Jesse Jones’ collaborative project for the 57th Venice Biennal featuring Olwen Fouere and sound by Susan Strenger
Maud Cotter’s sculptures loom large without being monumental, writes Sarah Kelleher ahead of the artist’s exhibition at Limerick City Gallery of Art this autumn
