Of Harry Clarke’s four windows for Dowanhill’s chapel, The Coronation of the Blessed Virgin is arguably the finest in terms of composition and ambition and, fittingly, the window remains in Scotland – the only one to do so, writes David Caron
Finola Finlay visits a number of churches enriched by stained-glass artist George Walsh and asks why this medium is not used more widely in secular architecture
Nicola Gordon Bowe tells the story behind Evie Hone’s execution of the bold modernist window forming the backdrop to State visits in Government Buildings
Myra Hayes and Jessie Rogers unravel the narrative of the St John Window, in Cork’s Honan Chapel
Audrey Whitty examines some rarities from a connoisseur’s collection of Irish glass recently acquired by the National Museum of Ireland
In his livre d’artiste, a selection from which are on display at the Chester Beatty Library, Matisse sought to create a graphic equivalent to the facing page, writes Emily Mark-FitzGerald
James Watson could trace his family’s artistic lineage to York Minster and following his move to Cork he launched a new tradition to last a hundred years, writes Vera Ryan.
Nicola Gordon Bowe recalls how Harry Clarke’s homage to Ireland’s most celebrated writers fell foul of censorship in the early days of the Irish Free State