Of Harry Clarke’s four windows for Dowanhill’s chapel, The Coronation of the Blessed Virgin is arguably the finest in terms of composition and ambition and, fittingly, the window remains in Scotland – the only one to do so, writes David Caron
Finola Finlay visits a number of churches enriched by stained-glass artist George Walsh and asks why this medium is not used more widely in secular architecture
James Watson could trace his family’s artistic lineage to York Minster and following his move to Cork he launched a new tradition to last a hundred years, writes Vera Ryan.
