Ann Wilson examines Kitty O’Brien’s Crossing the Bar, a composition in stained glass that functions as a metaphor for hope
There are many memorials and memorial windows in St Multose Church in Kinsale in Co Cork, but Crossing the Bar (1933) by Kitty (Catherine) O’Brien particularly draws the eye. It is a stained-glass window whose rich colours burn through the relative gloom of its location, a north-facing wall in the north transept. Two inscriptions on the bottom of the window show that it was dedicated to brothers Edward (Crump) Dorman, killed in action at Gallipoli in 1915, and (Thomas) Stephen (Lewis) Dorman, who died when his ship was torpedoed off the coast of Ireland in 1917. Edward was thirty when he died; Stephen was thirty-four.
To read this article in full, subscribe or buy this edition of the Irish Arts Review
Barbara Dawson selects Lavacourt under Snow by Claude Monet (1840–1926)
Kenneth McConkey explores the use of archways in mise-en-scène works by artist William Orpen
Irish-American sculptor Andrew O’Connor’s public artworks were often too audacious for the people who commissioned them, finds Paula Murphy