Irish painter-etchers looked abroad for their inspiration, direction and markets from the 1880s, writes Angela Griffith and Anne Hodge
Blaise Smith’s intention for his new suite of paintings on view at the Molesworth Gallery in Dublin, is to provide a place ‘where the eye can rest’, he tells Angela Griffith
Angela Griffith previews a new suite of paintings from Geraldine O’Neill, recent winner of the lreland-U.S. Council/Irish Arts Review Portraiture Award
Angela Griffith reflects on the multifaceted practice of Alex Pentek, whose work ranges from the solidity of public art to the floating paper sculpture currently on view at the RhA