Oisín Roche’s Standing Portrait is a reflection on the nuances of identity, writes Gerry Walker of this year’s recipient of the Ireland-US Council/Irish Arts Review Portraiture Award
Mick O’Dea’s study of fellow academician Stephen McKenna, this year’s recipient of the Ireland-US Council/Irish Arts Review Portraiture Award, embodies the artistic ideals of both sitter and creator, writes Angela Griffith
Ian Cumberland’s portrait, the winner of the Ireland-US Council/Irish Arts Review Portraiture Award at the 182nd RHA Annual Exhibition, is not a ‘pretty’ picture, writes Jane Humphries.
All is not harmonious in Una Sealy’s Neighbours, the winner of the Ireland-US Council/Irish Arts Review Portraiture Award at the 181st RHA Annual Exhibition, writes Isabella Evangelisti.
Angela Griffith previews a new suite of paintings from Geraldine O’Neill, recent winner of the lreland-U.S. Council/Irish Arts Review Portraiture Award
Before the Government implements their proposed art strategy, Gerry Walker argues that we must redetermine the nature and role of the arts within Irish culture
In addition to creating a likeness of her daughter, Geraldine O’Neill has in mind the age-old interrogation of representation, writes Robert Ballagh of this year’s recipient of the Ireland-U.S. Council/Irish Arts Review Portraiture Award