Sir Alfred Chester Beatty and the NGI

Annaghmakerrig

Brian de Breffny: An Appreciation

Luke Gardiner (1745-98): An Irish Dilettante

Practical Patriots and True Irishmen the Royal Irish Art Union 1839-59

Profile: Patricia Quinn

Book Review: Cassell’s Styles in Art Series: The Nineteen Twenties Style, Art Nouveau, Decorative Ironwork, Chinese Bronzes, English Silver & Antique Jade

Book Review: The Thames and Hudson Encyclopaedia of British Art

Book Review: The Thames and Hudson Dictionary of Art Terms

Book Review: The Thames and Hudson Dictionary of Art and Artists

Book Review: Edmund Burke: A Life in Caricature

Book Review: The Life and Works of Sarah Purser

The Percent of Art Scheme

The Hibernian Way: Arthur Gibney on the future of the RHA

Brian de Breffny: A Memoir

Annaghmakerrig: Twenty-Five Years of Creativity

A Gallery for the City: Hugh Lane’s Inspiration

The Director’s Chair

MacGreevy and Yeats

Irish Arts Review 1984-2004

Class of ’84

A Subtle Art

Bleak House: The Pollexfen Ancestry of the Yeats Family

Book Review: The Royal Dublin Society 1815-1845

Book Review: Lord Charlemont and His Circle

Book Review: Hugh Lane, 1875-1915

The Parable of the Sower

Brian McAvera pays tribute to Edward Murphy whose personal commitment to the development of Irish art research will reap immeasurable benefits for generations

Preview Article

From Bauhaus to our house

In pursuit of provenance: the last Knight of Glin?

25 years of Irish art: a personal selection

A Georgian Jubilee

Apprentice to Master: Three Generations of the Gorry Family

Book Review: WILLIAM BURTON CONYNGHAM AND HIS IRISH CIRCLE OF ANTIQUARIAN ARTISTS

Book Review: Milestones: Black Church Print Studio 1982-2007

Book Review: Irish Theatrescapes: New Irish Plays, Adapted European Plays and Irish Classics

Poets and Patriots

Hilary Pyle remembers James Stephens, a writer of stature, whose account of the Easter Rising while Registrar at the National Gallery comes into focus in the current display at the Gallery