Visionary or Magic Realist? Brian Fallon evaluates the art of Patrick Hennessy
Brian Fallon examines the career of Seán Keating whose series documenting the installation of electricity in Ireland is on view at the RHA until mid December.
Brian Fallon traces painterly antecedents in the work of that most European of artists, Stephen McKenna, ahead
of his thematic exhibition at Dublin City Gallery the Hugh Lane
Brian Fallont races the cosmopolitan influences at work in the painterly language of Makiko Nakamura
Michael Kane has not only forged a style, he has helped substantially to forge the style of others, writes Brian Fallon ahead of the Hugh Lane Gallery’s survey exhibition in October
On the centenary of the artist’s birth, Brian Fallon revisits some personal recollections of George Campbell’s Spanish period
Patrick Scott has certainly established his own particular niche, writes Brian Fallon in his assessment of a uniquely elegant figure in Irish art
Mary Swanzy is a major figure in Irish art, but also a complex, isolated one with whom we have yet to come to terms, writes Brian Fallon, as IMMA launches an exhibition of her work as part of the Modern Masters series
Brian Fallon recalls his first impression on meeting Mary Swanzy and her Gauguin moment conceived during a visit to Samoa
From a rural setting in County Antrim, Basil Blackshaw has contributed a new chapter to the story of Irish art, writes Brian Fallon as the retrospective at the F E McWilliam Gallery marking Blackshaw’s 80th birthday continues.