Visionary or Magic Realist? Brian Fallon evaluates the art of Patrick Hennessy
Brian Fallon traces painterly antecedents in the work of that most European of artists, Stephen McKenna, ahead
of his thematic exhibition at Dublin City Gallery the Hugh Lane
Brian Fallont races the cosmopolitan influences at work in the painterly language of Makiko Nakamura
Michael Kane has not only forged a style, he has helped substantially to forge the style of others, writes Brian Fallon ahead of the Hugh Lane Gallery’s survey exhibition in October
On the centenary of the artist’s birth, Brian Fallon revisits some personal recollections of George Campbell’s Spanish period
Mary Swanzy is a major figure in Irish art, but also a complex, isolated one with whom we have yet to come to terms, writes Brian Fallon, as IMMA launches an exhibition of her work as part of the Modern Masters series
