Book review: History of the Royal Hibernian Academy Volume One (1823-1916)

Book Review: Misère: The Visual Representation of Misery In the 19th Century

Appreciation Nicola Gordon Bowe

Somewhere in the Future

Julian Campbell explores Siobhan McDonald’s imagined worlds as her installation ~Crystalline’ travels to the Highlanes Gallery in October

Patrick Collins and ‘The Sense of Place’

Jour de Marché, Finistère

The Paintings of Brian Bourke

Aloysius O’Kelly in Brittany

Irish Painters in Paris, 1868-1914

A Forgotten Artist, Walter Chetwood-Aiken

Nathaniel Hone’s Paintings of Ancient Construction

Book Review: Impressionism in Britain

Book Review: Onlookers in France

Book Review: Nathaniel Hone the Younger, 1831-1917

The Shepherdess of Marlotte

George Sharp: Proto-realist

Postcards from Brittany: Walter Osborne’s Wallet of Photographs

Academician Supreme the Paintings of David Hone

Double Identity Aloysius O’Kelly and Arthur Oakley

Book Review: Walter Osborne in the West of Ireland

Book Review: Aloysius O’Kelly: Reorientations, Painting, Politics and Popular Culture

Book Review: Paul Henry

Book Review: Peintres Irlandais en Bretagne

Book Review: Roderic O’Conor. Vision and Expression

Into the light

Letters

Henry Allan’s Dutch interior

Separating Mahony and Mahoney

Compagnons de Voyage

The dark edge of Europe

Victorian Master

Irish-born artist George William Joy was an accomplished and cosmopolitan figure, who created one of the Victorian era’s most popular paintings, writes Julian Campbell

Time and tide

Nathaniel Hone excelled at capturing the great outdoors, whether pastoral or coastal: to mark his centenary Julian Campbell examines his dramatic County Clare marine works