Hugh Lane: The Art Market And The Art Museum 1893-1915

History, Politics and Decorative Painting: James Ward’s Murals in Dublin City Hall

Insider on the outside: Thomas Ryan PPRHA

Daniel Maclise and a Bankrupt Patron

A Colourful Spectacle Restored: The State Coach of the Lord Mayor of Dublin

The Chaos of Creation

Book Review: The Diaries of Lord Limerick’s Grand Tour 1716 to 1723

Book Review: Gilbert Stuart

Book Review: Memory and Desire: Painting in Britain and Ireland at the Turn of the Twentieth Century

Book Review: Sources in Irish Art: A Reader

Book Review: Drawings of the Principal Antique Buildings of Ireland

Drawn to the page

Angela Griffith and Philip McEvansoneya discuss some highlights from an exhibition celebrating Irish artists’ engagement with publishing in the period 1830–1930.

Hazel Lavery model, muse, mask

Philip McEvansoneya reflects on John Lavery’s portrayal of his constant model, his wife, Hazel Martyn, ahead of Dublin City Gallery The Hugh Lane’s exhibition ‘Lavery: Passion and Politics’.

Preview Article

Petrie and the Haldimand Album

Philip McEvansoneya looks at two versions of George Petrie’s The Last Circuit of the Pilgrims at Clonmacnoise, the first of which was commissioned for Sophia Haldimand in 1828

Book Review: An Architect Earl, Edaward Augustus Stafford [1736-1801] 2nd Earl of Aldborough

Book Review: William Orpen: An Onlooker in France

Book Review: The Love Letters of Percy French And More Besides

Book Review: Irish Fine Art in the Early Modern Period

A collector’s passion

Cosmopolitan yet connected to local issues, Mervyn Wingfield, 7th Viscount Powerscourt played a prominent role in promoting Ireland’s cultural institutions at a pivotal time in their early history, writes Philip McEvansoneya