Dublin City Gallery The Hugh Lane

Barry Flanagan in Dublin

Barry Flanagan in Dublin

Ahead of the forthcoming retrospective hosted jointly by IMMA and Dublin City Gallery The Hugh Lane, Enrique Juncosa offers insights into the emphatic shift in Barry Flanagan’s practice since the 1980s


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A Gallery for the City: Hugh Lane’s Inspiration

A Gallery for the City: Hugh Lane’s Inspiration

As Dublin City Gallery The Hugh Lane prepares to relaunch in May with exciting new spaces, John Mulcahy looks back at its dynamic founder and pinpoints some key factors in the gallery’s future development


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The Chaos of Creation

The Chaos of Creation

Philip McEvansoneya finds that Margarita Cappock’s book Francis Bacon’s Studio (Merrell) succeeds admirably in its scholarly interpretation of the contents of Bacon’s studio while the vagaries of the creative process remain elusive


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Book Review: Beyond the White Cube: A Retrospective of Brian O’Doherty / Patrick Ireland

Book Review: Beyond the White Cube: A Retrospective of Brian O’Doherty / Patrick Ireland


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Civic disturbance

Civic disturbance

Mic Moroney navigates Stephen Brandes’ satirical visual diary featuring in ‘Phoenix Rising’ at Dublin City Gallery The Hugh Lane


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Mapping the map-maker

Mapping the map-maker

Peter Murray examines the gestalt nature of Tim Robinson’s art, whose work is on view at Dublin City Gallery The Hugh Lane until January

 


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Joint declaration

Joint declaration

Robert Ballagh discusses some key works relating to Ireland from Richard Hamilton and Rita Donagh ahead of their retrospective at Dublin City Gallery the Hugh Lane this autumn


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Hazel Lavery model, muse, mask

Hazel Lavery model, muse, mask

Philip McEvansoneya reflects on John Lavery’s portrayal of his constant model, his wife, Hazel Martyn, ahead of Dublin City Gallery The Hugh Lane’s exhibition ‘Lavery: Passion and Politics’.


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Francis Bacon: A Terrible Beauty

Francis Bacon: A Terrible Beauty

Barbara Dawson promises exciting new discoveries about Francis Bacon’s technique when his centenary exhibition opens this autumn at Dublin City Gallery The Hugh Lane.


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The Quick and the Dead

The Quick and the Dead

Michael Dempsey argues for a reappraisal of the work of Patrick Graham, Brian Maguire, Patrick Hall and Timothy Hawkesworth, as the four are reunited at Dublin City Gallery The Hugh Lane


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Empiricism and Aesthetics

Empiricism and Aesthetics

Mic Moroney previews an exhibition of new work from Mark Francis at Dublin City Gallery the Hugh Lane in January 2008


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Book Review: EFFORTS AND IDEALS: PRINTS OF THE FIRST WORLD WAR

Book Review: EFFORTS AND IDEALS: PRINTS OF THE FIRST WORLD WAR


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Book Review: CHANGING STATES: CONTEMPORARY IRISH ART & FRANCIS BACON’S STUDIO

Book Review: CHANGING STATES: CONTEMPORARY IRISH ART & FRANCIS BACON’S STUDIO


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Book Review: REVOLUTIONARY STATES: HOME RULE AND MODERN IRELAND

Book Review: REVOLUTIONARY STATES: HOME RULE AND MODERN IRELAND


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Book Review: THE GOLDEN BOUGH

Book Review: THE GOLDEN BOUGH


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Book Review: PASSION AND POLITICS, SIR JOHN LAVERY: THE SALON REVISITED

Book Review: PASSION AND POLITICS, SIR JOHN LAVERY: THE SALON REVISITED


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Book Review: The Quick and the Dead

Book Review: The Quick and the Dead


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Book Review: DISCOVER ART AT DUBLIN CITY GALLERY THE HUGH LANE

Book Review: DISCOVER ART AT DUBLIN CITY GALLERY THE HUGH LANE


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Independent’s Day

Independent’s Day

Michael Kane has not only forged a style, he has helped substantially to forge the style of others, writes Brian Fallon ahead of the Hugh Lane Gallery’s survey exhibition in October


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Inside & out

Inside & out

Relocating to France brought a change in focus for Eithne Jordan, who tells Brian McAvera, ‘I had begun to feel that I was painting myself into an alley’ ahead of her exhibition at Dublin City Gallery, The Hugh Lane

 


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