Art graduate exhibitions are similar to the theatre; the players are expected to hit their marks and know their lines, writes Gerry Walker in his appraisal of the class of 2017
John Turpin looks at the social and cultural aspirations of the Dublin Society Drawing Schools illustrated by some of its successful alumni
Colin Darke tells Brian McAvera how seeing a burning cigarette paper sparked an idea for an expressive means of communication
Behind the bustle and colour of the 2016 graduate shows Gerry Walker finds a wealth of well-researched, accomplished projects.
The class of 2014 is looking anew to the tangible joys of creativity, in contrast to its documentation, writes Gerry Walker of the trends emerging from this year’s graduate shows.