Pippa Little visits Alice Maher’s mid-career retrospective at IMMA which charts her focus on materials in metamorphoses
Seán Kissane traces the emergence of a modern language of art in Ireland as exemplified by Albert Gleizes and his Irish students and his contemporary André Lhote, currently on view at IMMA
Brian P Kennedy reveals how Sidney Nolan created his signature work. Rarely seen outside of Australia, the series is on view at IMMA in November
As the directors of several National Cultural Institutions prepare to retire this year JOHN MULCAHY poses the question: is there an intention to downgrade their roles to executive managers – and if so, why?
Retrospectives seek to ask and answer specific questions, writes Gerry Walker, in his preview of Barrie Cooke’s exhibition at IMMA this summer.
The theme of sexuality was often overlooked in Patrick Hennessy’s work, but a new exhibition at IMMA marking his centenary offers an opportunity to assess its role in his art, writes Sean Kissane
Donal Maguire sees an elegant statement on the interconnectedness of all things in David Beattie’s installation at IMMA
Seán Kissane examines the early career of William Crozier as West Cork Arts Centre and IMMA celebrate his work with complementary exhibitions
Seán Kissane reflects on the career of Gerda Frömel whose handling of form echoes Brancusi’s statement ‘Beauty is absolute equity.’
How reliable is historical documentary? Levi Hanes examines Turner Prize Winner Duncan Campbell’s filmic presentation of this question at IMMA this winter
As Irish Design 2015 is launched worldwide, we republish here Jennifer Goff’s assessment of the legacy of internationally acclaimed arch Modernist Eileen Gray
